Tag Archive: middle grade



Here, There Be Dragons (Chronicles of the Imaginarium Geographica, #1) by James A. Owen

Ages 12 & up

Here,_There_Be_Dragons,_James_A._Owen_-_CoverAn adventure was the last thing John expected when Professor Sigurdssen summoned him to Oxford, but that’s exactly what he gets. Upon his arrival, the police greet John with the news of the good professor’s murder and John finds his lot thrown in with three strangers: Jack, Charles, and the mysterious Bert. Pursued by strange, inhuman creatures the four new friends flee to the Indigo Dragon, a magical ship capable of crossing from our world to the Archipelago of Dreams. Now the principal caretaker of The Imaginarium Geographica, John, along with his new friends must defend the Archipelago from the Winter King—a formidable foe bent on turning the entire Archipelago into Shadowlands. All the King needs to complete his plan is the Geographica.

This book. Holy guacamole. THIS. BOOK.

I’ll just start by saying that if you are a fan of the Lord of the Rings and the Chronicles of Narnia, just stop reading this review and do yourself the favor of finding this book and reading it. Make your family read it. Make your friends read it. Make your neighbor’s mom read it. Yes, you’re going to be slightly confused at the beginning…but there’s a reason for that. It all makes sense in the end.

While we’re on the subject…the end is by far my FAVORITE part of this book. I’m still reeling over the big twist. I don’t want to spoil anything for you, but suffice it to say that it was fan-TAS-tic .

I know the book says 12 & up, but really, I think (depending on the child) you could probably go even younger. A great book for the whole family. Yeah, it gets intense and maybe a little scary, but there are Disney movies scarier than this book. (If your kid can handle Frozen, your kid can handle this book.) It has all the whimsy of Narnia (talking animals, mystical lands with grand mythologies, a grand magical journey, life-altering betrayal) and all the cleverness too. Mythology provides all the building blocks for this story, which makes sense considering that the Archipelago is supposedly a world created by human imagination. Owens takes stories that we all know, sewing them into a seamless tapestry that adds color and life to his world.

This is the classic heroes’ quest, Owens doesn’t take any particular risks with this book, but he crafted his story so well I didn’t mind too much. Instead of making the book stale and trite, the familiar archetypes turn it into something comfortable. I loved the challenge of trying to figure each character out before their name was revealed. There are probably those that disagree with me, but I enjoyed the way familiar stories were taken and spun on their heads. And trust me, there’s a good reason you’re feeling those déjà vu vibes.

The only thing I found disappointing was the dearth of female characters. Owens did give us Aven, the captain of the Indigo Dragon, but I would have liked seeing more girls participating in the action. Circumstances dictated that the three main characters be male and I’m cool with that, but I’d like to see more than the token strong female character in the sequels (fingers crossed, I’ve got a bit of time before I start the next one).

All in all, I enjoyed this book so much that I’d love to add it to my shelf (also, the cover art is REALLY pretty). If you’re looking for a great book to read with your kids—or you just like books with dragons—then I’d definitely recommend this book.

This book is a good example of:

  • Multiple POV narrative
  • Third person
  • World building
  • Middle grade

This blog post is a response to a Huffington Post UK article which argues that J.K. Rowling’s success is hindering the success of up-and-coming writers. If you think that sounds a little ridiculous, that’s because it is. Blaming lack of success on someone else’s good-fortune is a little narcissistic and certainly counterproductive. But I’m not here to defend Rowling (who has earned her place in world literature).

No, I’m want to address my concerns with the second paragraph. She says:

I’ve never read a word (or seen a minute) so I can’t comment on whether the books were good, bad or indifferent. I did think it a shame that adults were reading them (rather than just reading them to their children, which is another thing altogether), mainly because there’s so many other books out there that are surely more stimulating for grown-up minds. But, then again, any reading is better than no reading, right?

-Lynn Shepherd, Huffington Post UK, “If JK Rowling Cares About Writing So Much She Should Stop Doing It

(A little advice: if you want your criticism of a book/series to be taken seriously, you need to attempt to read that particular work, even if it’s only a few sentences. At least you can say you tried.)

As a whole, children’s fiction can encompass a broad age range. From picture books and Beginning Readers to the young adult genre. However, when I say “children’s fiction” in this blog post I refer to the middle grade (MG) and young adult (YA) genres because that is what I have the most experience with.

The idea that children’s fiction is not “stimulating” for “grown-up minds” is ludicrous.

Not because they are what I write and read the most. But because this is absolutely untrue. And that is why I love those genres. I have learned more about how to write well from books like The Lightning Thief and The Hunger Games than I have from most of the adult fiction I’ve read (and I’ve been reading in the adult section since I was twelve or thirteen).

My first issue with her statement has nothing to do with that appropriateness of an adult reading children’s fiction, it’s simply part of good parenting (or so my mom tells me):

If your child is reading a book, you should take the time to read it as well.

My mom and I were always passing books back and forth and thus we were able to talk about what I was reading (Still do, actually). It’s part of being involved in a child’s education and staying aware of what they are learning. Most of my thoughts and opinions are the way they are, not because my parents forced them on me, but because we had (and still have) frank discussions that allowed me to explore my own opinions.

Now it’s great (phenomenal!) if you take the time to read to your kids. Some of my best memories are of the half hour or so my mom would spend reading with my brother and I before bedtime (I used to get in so much trouble for staying up to read ahead). Those experiences are part of why I love to read. (Thanks Mom!) But even if they’re past that age where reading together is “cool”—or it’s not practical for your family right now—keep abreast of what your kids are reading.

That brings me to my second issue.

In the grand scheme of things, the Harry Potter series is only seven books (granted, some of them are gargantuan). Now that may seem like a lot to some people. But let’s break it down.

If the average person reads eight books a year and they start reading consistently at ten and the average lifespan is 78 years (these are based on vague internet statistics, if you have better stats, post in the comments), then an average person can expect to read 500+ books in a life time. The Harry Potter series is 1% of the total books a person will read in their lifetime. One. Percent. There will be plenty of time and (hopefully) opportunity to read other books of varying age brackets.

And that brings me to my biggest issue with the above statement.

Children’s literature is NOT inferior to adult literature. In fact, I think that authors of children’s literature probably have more difficulty than someone who writes for an adult audience.

For one thing, kids are far more likely to be…um, frank (brutal) when they don’t like something. They have no problem saying, “This is dumb. You’re dumb. Why do I have to read this?” (I used to work with kids and I still work with teens, so this is from experience.)

The other challenge MG & YA authors face is length.

A typical middle grade novel is going to be under 40,000 words (established authors may have more wiggle room). To put that in perspective an adult novel is usually double that number; Sci Fi and fantasy can end up pushing 100k words.

Because they have limited space, I find that MG & YA authors have to be more intelligent and concise in their writing than their colleagues that aim for the older audience. EVERY word counts for double. They only have 40k words (70k in YA) to develop the plot, expose character, reveal backstory and maybe throw in a theme. And it has to be entertaining. How long do you think a bored twelve-year-old will keep reading?

Now for those of you that padded your college essays with shady spacing and chili recipes, this might not seem like a big issue. But us writers? We’re the ones that spent all night trying to figure out how to cut 2500 words down to a thousand and always ended up turning essays with at least one page more than required. I’m not saying this makes us better than you, it’s just that…we like to write.

My point is that the grown-up brain can benefit from reading fiction even if it’s marketed to younger readers (and it’s all about marketing). I am consistently surprised by the depth of storytelling in MG & YA novels. If you want examples, I would suggest the Percy Jackson series, anything by John Green, Ally Carter’s books, and Cassandra Clare’s Mortal Instruments series.

Finally, children’s fiction is just as capable of making us to question society and our own opinions. More so I find sometimes. Most of the adult fiction I’ve read feels more geared towards escapism. It’s the YA books that make me sit up and think about the world. Don’t believe me? Read the Hunger Games by Suzanne Collins or Ally Condie’s Matched trilogy.

And don’t forget, some of literature’s favorite classics are classified as “young adult”. For your perusal, I present this list (cross-referenced between Barnes & Noble’s website and Goodreads.com). Tell me you don’t recognize some titles that cover issues we still talk about today:

  • Ender’s Game by Orson Scott Card
  • To Kill A Mockingbird by Harper Lee
  • The Catcher in the Rye by J.D. Salinger
  • The War of the Worlds by H.G. Wells
  • The Diary of a Young Girl by Anne Frank
  • The Once and Future King by T.H. White
  • Little Women by Louisa May Alcott
  • The Adventures of Huckleberry Finn by Mark Twain
  • White Fang by Jack London
  • The Great Gatsby by F. Scott Fitzgerald

So what do you think? Do you enjoy middle grade and young adult fiction? What are some of the reasons you like these genres? Can you think of any examples where a MG or YA author displayed fantastic story-telling?

Many thanks to my friend Dot Hutchison, who can be found at dothutchison.com, for answering all my questions and children’s lit. Also, you should check out her book, A Wounded Name. It is one of the two versions of Hamlet I approve of (the other being The Lion King)

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